Profile

Exhibited across Europe, North America, and Asia — including group shows at Thinkspace (Los Angeles), Hashimoto Contemporary (New York / San Francisco), Spoke Art (Los Angeles / Honolulu), SHOWstudio (London), and WOWXWOW.

Work held in private collections internationally.

Lives and works in France.

Email , Instagram ↗

Education

DNSEP — Fine Arts

École Nationale Supérieure d'Art, Limoges, France

Mention Sculpture

2017

Erasmus Exchange — M1
Duncan Jordanstone College of Arts, Dundee, Scotland
2018 — 2019

Professional Training — Aerography
École RBT Création, Sucé-sur-Erdre, France
2020

Exhibitions

Conjuncture

Brassworks Gallery

Portland, United States · June — July 2026

Solo Show

Aiguillage

Polisot, France · January — March 2025

Ascending Signals

WOWXWOW Gallery

Inverness, Scotland · January 2025

Nick Knight × Fecal Matter

ShowStudio Gallery

London, United Kingdom · December 2024

Undercurrents

WOWXWOW Gallery

Inverness, Scotland · February 2024

Flowers

ShowStudio

London, United Kingdom · January 2024

Nerdstalgia

Thinkspace Gallery

Los Angeles, United States · February 2024

Gabari Fest

Contemporary art fair

Reims, France · 2023

Everything But the Kitchen Sink

La Luz de Jesus Gallery

Los Angeles, United States · July 2023

Anime in LA
Spoke Art Gallery
Los Angeles, United States · June 2023

Greetings from Miami
Hashimoto Contemporary Gallery
New York, United States · 2021

Lately
Hashimoto Contemporary Gallery
San Francisco, United States · 2020

The Moleskine Project IX
Spoke Art Gallery
Honolulu, United States · 2020

Re-Beginning
Thinkspace Gallery
Los Angeles, United States · 2020

SAGA
Paintguide Magazine × SoVegan
Hong Kong · 2019

100 Women
ShowStudio Gallery
London, United Kingdom · 2018

Residencies & Commissions

Theprintspace — Limited Edition Prints

London, United Kingdom · International distribution

Partnership · September 2023

Spoke Art × Moleskine

Honolulu, United States

Commissioned work · POW! WOW! Hawaii, 2020

SHOWstudio — Paris Fashion Week

London, United Kingdom

12 commissioned works · S/S 2019

#SketchSketchSketchSketch — Artist Residency

Organized by Paintguide Magazine, The Plant Space

Leiderdorp, Netherlands · 2019

International residency — one month production period with artists from multiple countries.

Sublime de Voyage — Biennale Nomade

ArtNomad · Curated by Paul Ardenne
Limoges to Venice, France & Italy · 2019

Nomadic contemporary art event across France, parallel program to the Venice Biennale.

Guest Artist & Jury Member

Graines d'Artistes du Monde Entier — IMAJ UNESCO

Since 2023 · guest artist of honor, workshops (2025)

Press

Juxtapoz Magazine

Featured mention

United States

Breakfast with Sergio
Interview & video feature
United Kingdom

Ladder & Key

Interview

Paintguide Magazine

Features, article illustrations

Pomme Magazine

Press article

Theme Radio

Interview

Gabari Magazine

Press article

Contact

Studio Contact

Jérémie Marié

Troyes, France

studio@jeremiemarie.com

Instagram

@jeremie_marie

https://instagram.com/jeremie_marie

For press & publications
studio@jeremiemarie.com

For acquisitions & commissions studio@jeremiemarie.com

About

Works

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Jérémie Marié — Hyperrealist & Surrealist Painter

Working at the intersection of perception and memory,
Oil and mixed media built in slow, deliberate layers. The image arrives first: whole, wordless, already saturated. Painting is the work of getting there.

Ongoing

2026

These are self-portraits. The faces aren't mine, the bodies aren't mine — but the inventory is.

I begin with a collage — images gathered from a range of sources, assembled and composed in Photoshop. Painting then comes in to cement these scattered elements, giving them one tangible materiality within a shared space.

The image arrives slowly, sometimes in layers, sometimes by section, always on its own terms.

1.0 Untitled (detail), 2025 Oil on panel Work in progress

1.1 Untitled (detail), 2025 Oil on panel Work in progress

1.2 Untitled, 2025 Oil and aerography on panel Work in progress

2.0 Untitled, 2025 Oil on panel — underpainting Work in progress

Source material

Schiaparelli haute couture autumn winter 2021/2022, gold brass jewelry necklace in the shape of lungs whose bronchioles are studded with rhinestones.

sculptue detail unknow artist, Prague

Trifari Coral Pearl Brooch Pin Vintage 1960’

What emerges from the figures — coral, pearls, gold, ribbons, the iridescent and the precious — are things I've always known how to want.

The body here is not a boundary. It's a container that opens. What's inside has always been there.

The skull is in there too. So are the flies, the fish, the flowers going soft at the edges. I'm not far from the old painters and their tables of beautiful perishing things — except my figures aren't warning you. They're showing you what they're made of.

Transformations

2022-2024

Something is wrong with the face. That's where it starts.

I work inside the space between recognition and refusal — the fraction of a second where the brain registers something human and then isn't sure.

The color is too loud. The features are in the wrong place. The smile has too many teeth, or the wrong kind, or it's the only thing left.

I work in oil and aerography, building surfaces that are technically precise in the service of something deeply off. The attraction is real. So is the discomfort. I don't resolve the tension between them, that's where the paintings live.

2.0 Can I? 2020
Oil painting and airbrush on canvas, 55X46 cm.

2.2 Mordrake's complex 2022
Oil, acrylics and airbrush on wood panel 60x60 cm.

2.3 I lied 2022 Oil on wood panel 30x30cm.

2.4 Mordrake’s complex 2022 (detail) oil an airbrush on wood panel.

2.5 Guilt (2022) Pencil on paper, 29.7X42 cm.
2.6 Who are you? (2023) Pen and airbrush on paper, 29.7x42 cm.
2.7 Shame (2022) Pen and airbrush on paper, 29.7x42 cm.

2.5

2.6

2.7

Boyhood

2021–2024

Not a series — a return.

These works weren't planned together. They came back to the same place across the years: the visual language of childhood

its colors, its objects, its particular kind of strangeness and what happens when something in that language goes slightly, irreversibly wrong.

The figures here are not threatening. That's what makes them unsettling. They belong to a world that should be safe, and almost is.

Daddy Issues (2021) Oil painting on canvas, 65.5x54cm.

Mr Potato Head (2024) oil and airbrush painting on wood 50.8 × 40.6 cm.

Untitled ( 2023 ) Oil and airbrush on wood panel.

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